So what you are saying is you want the people who are giving you 150% crap now to remain in charge and screw the writers who are asking for more than 4 cents per DVD of a movie that makes the studio that puts it out millions more than that. You'd rather have reality programming, which requires no union writers, who are skilled and talented and brought up in the system to make shows that actually suck less than the alternative, which as I said in the first place, you'd rather have.
So screw the writers. Bring me more crap instead. Control everything you want to, mass media corporations, and spoonfeed me all of the mind control you want to. I want more American Idol. I want American Gladiators. I want Deal Or No Deal, Are You Smarter Than A 5th Grader, Survivor, Dancing With The Stars, Don't Forget The Lyrics and other fine, quality programs.
What I really want to see is The Moment Of Truth. Not the show, but that magical time when you all realize that what you're asking for is far worse than what you're "suffering" through. I miss Heroes. And I'd rather see Family Guy not suck anymore. The writers are getting screwed, and they're the most integral part of any and every show's existence. No script, no actors, no set, no show. So them asking for a little more on their end when it's the Directors and Actors that get the most is not that much to ask. The real fight is over how "new media" - being streaming video in any format, either online or on demand - is not being appropriated a value to the writers, who currently get nothing from it. They had a fight over a "new media" in the 80's, when the studios and their corporate overlords said that VHS was an untested medium and shouldn't be a priority until they see how well it was going to do. And the writers, not the directors, not the actors, got screwed. Everyone caught a huge payday when VHS blew up - except for the Writers. And so they struck. And they got a small pittance of change for every copy sold. Then, as the DVD market made the home video marketplace blow wide open all over again, the studios kept the same formula in effect, screwing over the writers and laughing all the way to the bank.
So, if you're down for "The Man" assraping the little guy who came up with the great show ideas in the fucking first place, then sure, screw the writers. It shows how much you really fucking know.